How does one speak emotion when one is swimming in it?

GUIDES ©

Here are five scenes from the play GUIDES©. The fifth scene, Love, takes place in Munich, Germany. The fourth scene, Wonder, happens in Los Angeles, California. The tertiary, Longing, occurs in Manhattan, New York. The second scene, Stepping into Adventure, unfolds in Buenos Aires, Argentina, and the first scene, Friendship, begins in Dakar, Senegal.

5. Love


Munich, Germany

A Sunday morning, spring 2024

Miranda Wolf and Daniel Hoffmann were once married and are now meeting again after fourteen years. They sit outside in a café on Munich's main square, Marienplatz, which has been the heart of Munich since around 1158, for a conversation. One can only describe the panorama as majestic; gothic architecture adorns the scene where exciting tournaments took place in the Middle Ages. The city's most important markets have been held on Marienplatz for centuries. Today, there are many elegant cafes and expensive boutiques, and some of the most traditional markets, including the Christmas market, continue to offer products and services.

Daniel fidgets and holds the ring that adorns his right hand with his left fingers. It is a thick, heavy piece of platinum jewelry with a seamlessly embedded two-karat diamond, an exquisite work of art from one of the city's finest jewelers. He already wore this ring before their wedding. Daniel swats a fluff from his blue jacket tailored to measure. Miranda's body language is the opposite; she is calm and settled, and her presence feels like a deep, still lake, aware of its fluctuations. She wears a silk blouse, the color of the thick Bavarian Forest. The Fabric exudes a glamorous shine. A stainless steel watch with details in yellow-gold adorns her left wrist.

[She takes a sip of her cappuccino.]  

Miranda: Nobody cares, Daniel, and the ones who do are vain.

[confused, he responds]    

Daniel: Nobody cares about what?

Miranda: No one cares about the vanities or pleasures that fill your life or mine. Becoming too attached to things makes one perceive the world through a thick pair of glasses prescribed with self-imposed grandiosity.

[curious]

Daniel: Now, this is a bit harsh. Don't you think so?

Miranda: No, I don't think so. It's just proper thinking. I love the beauty of material things, but I'm not attached to them in a way that defines me. It is dangerous to fly too close to the sun.

Daniel: Ah... the Greek myth of Icarus, okay. 

[He begins fidgeting again, tapping his coffee cup with his right fingers.]

Daniel: Miranda, tell me, why did you leave?

[she looks at him and responds with earnestness]

Miranda: I left because I was a fool. Too young and too immature.

Daniel: You have no idea how heartbreaking and embarrassing the entire circumstance was for me. How could you? It was a tremendous betrayal of trust.

Miranda: I am sure it was difficult for you. It has been for me, too, all along.

[a moment of silence]

Miranda: What we had was a dream in real life. The sunrise sailing, the walks in the forest near our home, the drives from Munich to Austria, and our friends were remarkable - I have never been able to recreate that, nor have I met anyone like you, and I never will. I may have achieved what I wanted, but nothing compares to the art of good companionship. I failed as a wife, but I was only 18 then, and we had only been married for two years. I wish I had the wisdom I now own.

Daniel: You were young, and I thought the trips, presents, sailing, and soirées would satisfy your interests.

Miranda: Well, you thought wrong, and so did I. It turns out I'm not superficial, and turning away from who I am makes everything worse. I also had to learn how hard it was to have everything we had. I quickly reached the point of always having everything and wanted to learn how to navigate the real world.

Daniel: Miranda, why didn't you talk to me about this instead of leaving abruptly?

Miranda: You would not have understood because I could not conceptualize my feelings in words. I was too young to bring into context what I knew deep within but could not yet explain. I dared to leave because I was terrible at pretending I could make you happy back then. You showed very little interest in who I wanted to become, and I tried to be what you wanted me to be for years, but I needed to become whole out of self-respect.

Daniel: Did you achieve what you wanted?

Miranda: Yes, I have. It wasn't easy, but it was enriching. What about you?

Daniel: I remarried to Karla, an Italian woman. We have two daughters, Lucia and Violetta.

[She takes a sip of her cappuccino. It's hot.]

Miranda: That is darling. I am happy for you.

Daniel: Do you have any kids?

Miranda: No, but I am beginning to consider marriage again. Marriage and children are big decisions. I am impressed at your ability to enter such ventures.

[They laugh in sincerely]

Daniel: Some of us are more inclined to do so than others.

Miranda: Absolutely. I miss you. Sometimes, I wish I could turn back time and make everything right, but there is no greater lesson than when one's own intrinsic ignorance destroys what one once loved most.

4. Wonderment


Los Angeles, California

Current date, West Hollywood

Julian Liebermann, a screenwriter who has written films for most of his adult life, is now 83. His hands shake slightly, but his attention to his granddaughter Annabelle Liebermann shows a strong desire to understand what she is communicating. Annabelle is an aspiring writer who wants to be just like her grandfather. She calmly paces the room from side to side and talks about the female lead in the script they are working on.

[Annabelle paces slowly from one side of the room to another as she thinks and speaks.]  

Annabelle: I have noticed our character is tired of being weak. She doesn't have the strength to enforce her will. Her story tells us that she constantly finds ways to meet her needs in indirect ways. What benefit does it have for her? I think she needs to become confident and transform her character into something new to further her development. 

[As she finishes speaking, she looks out the window at two palm trees swaying peacefully with the wind and smiles upon noticing their grounded and peaceful disposition.]    

Julian: You know, Annabelle, that's an excellent observation. Her assertiveness would make her sincere and honest and give her a sense of inner direction and conviction.

[Annabelle Listens as she continues to look at the palm trees.]  

Annabelle: Yes, it would, grandfather.   

Julian: Do you see those two palm trees over there? They've been there since I moved in 25 years ago. Everything has changed, but these palm trees still look the same.  

[Annabelle shows appreciation and compassion for Julian. She holds his arm and approaches him as a sign of reassurance. After a moment she has a realization.]  

Annabelle: That's it, grandfather.   

Julian: What's that, kid?  

Annabelle: That is what she needs. [She points to the palm trees] She needs a deep sense of trust like the beautiful palm trees give us.

Julian: Go on, I'm listening…   

Annabelle: The palm trees live in harmony with their surroundings. They persist because they have had what they need for over 25 years. Sunshine, water, air and soil were provided to them by nature through the existence of the earth. They don't have to strive, make plans, or complicate reality to get what they need.

Julian: Okay, I am following, go on.  

[Julian continues to listen as Annabelle thinks and speaks mindfully.]   

Annabelle: Nature is what exists. It doesn't contradict itself. When aligned, it follows a collective chain of events so that things can coexist harmoniously. Our character's perception needs to change. She must first understand what she wants and needs. Then, she must either create what she wants or find a place where it exists.

Julian: I love it, kid. Let's write it. It is going to be an adventure. 

3. Longing


Manhattan, New York.

New York City, Fall-Winter, 2023   

There is a refined, sensitive aura to Annette, who wears a double-breasted wool and cashmere blend coat extending below the knee in light sand, slim-cut black trousers, a white cashmere turtleneck in marble white, and black ankle boots made of the finest Italian leather. She is a brunette with pale skin, almond-shaped eyes, the color of caramel, and a slender, long neck. As she opens the glass door of a café, an Art Deco-style swan-shaped brass door handle feels cool in the palm of her hand. It's one of those places where the elegant crowd in downtown Manhattan gathers to listen to each other's stories.

Annette orders an oat milk cappuccino and an espresso macchiato for Nolan. She sits in a comfortable, carefully upholstered booth and places the coffee cups on a round table covered with a calm, immaculate, gold-colored, back-painted glass without breaks. Nolan walks in. His presence immediately creates more softness in Annette's body language. Nolan has the unique and elegant ability to keep Anette's sensitive nature in check. They have known each other since childhood.  

[with a slight French accent]   

Annette: Hi, Nolan. Ah, it is so lovely to see you!   

Nolan: Hello, Annette. I wouldn't have missed it for the world. I got your text last night. So tell me about the dream.   

Annette: I dreamt it was my last night in the city, and I remember being at a hotel, but I had no clue what would happen next because I did not have a plan. At first I was confident about the unknown, but then I panicked because my phone wasn't working. The screen showed pictures of places I did not recognize, and the calendar became an endless swirl. I couldn't access my contacts and I couldn't call you. Ah, I felt helpless.   

Nolan: Mhm, so why do you think you had that dream? Do you think it's trying to tell you something?  

Annette: Ah, yes. I do. The message concerns time. It tells me not to take it for granted, to plan, and to focus on what's essential because efforts increase over time.  

Nolan: Do you remember when we were in Geneva as children and time seemed endless?

Annette: Oh, yes. Those days were some of the best. Nolan, thank you for moving to New York City. I don't know what I would have done without you. 

Nolan: I love you, Annette. You are so bright. I couldn't have left you alone in the city. I promised Gérard that I would always take care of you. And look at you, you're an adult now. I'm sure he's very proud of you. 

Annette: I can't believe Papa is gone. He was my best friend. We could talk for hours. I feel I am finally coming out of the fog. 

Nolan: I understand, Annette. 

2. Stepping into Adventure


Buenos Aires, Argentina.

Buenos Aires, 1952 

Serena and her brother Nico stand at the library's entrance in their home. The library's walls are covered in warm wainscot wood paneling. The details on the wood across the entire space show a repetitive rectangular pattern on a vertical axis creating geometrical balance wherever the eyes are set to rest.   

At the perfect scale, a custom glass dome skylight, held effortlessly by an elaborate yet thin steel structure, rests on the ceiling of the double-height library space, bringing in the natural light with European flair. On the southwest wall, large windows welcome the outdoor gardens inward.  

This place is the heart of their home. Their uncle, a respected writer of the period, reads in silence. Nico holds several papers in his hand. Intimidated by his uncle, he hesitates to enter the library. Serena gives Nico a slight push on his back. Right foot first, Nico makes an entrance.   

Luis: Hey, Nico!  

Nico: Uncle Luis, hi, ehm, I want to talk to you about something.  

Luis: Yes, what is it, Nico?  

Nico: Uncle Luis, I want to write.  

[Nico holds out his hand and shows his uncle the papers he wrote. Luis reads and notices that Nico is occupying his thoughts with elegance.] 

Luis: So, Nico, tell me, why do you want to write?  

Nico: Uncle Luis, you see, the paper is the most honest mirror, and the letters are my voice. I find it very honest.  

Luis: Aha, so you want to get to know yourself through your mind.  

Nico: Yes.  

[Luis smiles lovingly and supports Nico's choice.

Luis: Remember, Nico, words and feelings can shape the world. Write from your heart, do it for you, not to impress anyone. 

1. Friendship


Dakar, Senegal

The current date at Sunset: Lisa and Abby sit under a majestic African Baobab. Abby's lesson with her tutor, Lisa, ended. They just finished a colorful mandala made of sand, flowers, and rice Abby found in the kitchen. The climate feels warm and pleasant. There is a lake near the premises. Lisa and Abby walk together toward the water. They carry the mandala on a sheet of paper.     

Lisa: Abby, did you know all humans are composed of 80% water?  

Abby: No, I did not know that.  

Lisa: So, guess what? It means it is okay to have emotions because the water feels everything.  

Abby: Mmm. That makes sense. So, what happens when I become like water and learn to listen to how I feel?  

Lisa: You will understand your creative inner world more.  

[Abby smiles and becomes aware of something new. She feels a deep sense of wonder.]  

Abby: I want to understand.  

[Lisa smiled back, and they slid the mandala into the water together.]