La Mini Série
The Magazine.
Religion & Culture
34, Through the Looking-Glass
Coming Soon.
2026
2024
32, A Return to Classicism
Edition 32, A Return to Classicism, embarks on a captivating journey with Ferdinand Max Bredt, a German Orientalist painter of the 1900s. This narrative reveals Bredt's evolving style as he ventures from the West to the Near East.
Throughout his travels, he captures the essence of femininity in his portraits, demonstrating a profound and genuine appreciation for the subject matter. This piece is a must-read if you want to broaden your horizons through travel and cultural immersion. It will ignite your curiosity, prompting you to ponder how a deep dive into first education and then a different nation or continent can reshape your worldview.
The second piece, The Fall of Eve and the Wisdom of Mary ushers us into the realm of theology as we revisit the first book of the Bible, Genesis, with a fresh perspective. In this piece, we delve into the profound significance of relationships and gain a deep, insightful understanding through the text of the intricate dynamics between God and creation, God and Man, human to human, human and creation, and human and God.
This piece is a profound exploration of relationships through the lens of Biblical theology. To conclude, Piaget Lighthouse Media cordially introduces you to the Theology Series, a journey where we will delve into Christianity and cultivate an appreciation for the divine.
31, Meet me at Versailles
Edition 31 unveils a captivating fusion of Latin America and the West, a connection that is not just a blend of cultures, but a unique amalgamation defined by virtue. Our exploration begins with the concept of magnanimity, delving into the qualities that make some Latin American people stand out for their magnanimous qualities.
Our journey to the west commences around 550 B.C. in ancient Greece, where we visit the city of Delphi on Mount Parnassus. The Siphnian treasury was once a shining example of classical Greek architecture—like a diamond in a jewelry box. Later, we observe the grandeur of Paris, strolling through the gardens of Versailles, immersing ourselves in the beauty of its magnanimity.
Our journey in Europe continues, stopping in present-day Rome to indulge by looking at and understanding a painting called The School of Athens before we embark on a voyage back to classical Greece and into a city called The Republic.
This edition also unveils The Painting of the Month, a captivating French baroque painting by Georges de La Tour, The Penitent Magdalene, c.1640. With its intricate details and profound symbolism, this masterpiece will captivate your imagination and deepen your appreciation for the art of the era.
The Magazine.
The Bolivian Series
33, Fall in love with TYPICA
Edition 33, Fall in Love with TYPICA, introduces our first Latin American brand en route to the West, and we celebrate this magnificent success with you. Typica is Bolivia's leading coffee brand, one that seeks its own culture. Their authenticity and passion for creating some of the world's most exceptional specialty coffees set them apart, as does each of their Casitas, where one can immerse in the Typica Coffee Experience.
Typica, a unique venture that began in 2015, is the creation of a group of young, La Paz-based founders. Their unwavering love for coffee and their esteemed circle of coffee connoisseurs, baristas, and roasters with years of industry experience and expertise yielded Typica Bolivia. With their deep-rooted knowledge and passion, this ensemble has not just cultivated an authentic identity and culture around the coffee and brand Typica but a unique one, setting us apart in the West.
30, The Land of Rivers
Édition 30, The Land of Rivers, is the most substantial composition of the Bolivian Series. It encapsulates the Bolivian experience into real-life stories soaked in a rich history that influenced and propelled the creation of our new brand, Annabelle Liebermann.
Today, we begin with The Land of Rivers, a non-fiction story about the Bolivian rubber boom (1871-1939), the Baron of the period, and his European financiers, part two of Immigration From Europe to Bolivia: Paris to Santa Cruz de La Sierra.
Then this édition flows into La fragilité de la féminité a brief romance written for Annabelle Liebermann, a bridal accessory brand for the West. These hand-made accessories have been a tradition within the Bolivian high society passed down to three generations of creators in the regional capital of the Bolivian Oriente since colonial times, Santa Cruz de La Sierra, by women of European heritage.
The magazine then re-introduces a revised and corrected publication of The Keys to Time, a non-fiction story about 1800s Europe, a period of European conflict and expansion overseas, part one of Immigration From Europe to Bolivia: Bayonne to Riveralta. We close with Our Core Is Quiet Elegance, giving readers insight into the core people behind our company.
29, Si amari vis, ama.
Edition 29, Si amari vis, amma, Latin for, if you want to be loved, love. It is an edition that depicts the multidimensional nature of love. As we mature, love is no longer a personal desire encompassing all that is immediate or pleasurable to one's independent perception. Instead, if one chooses, it evolves into a sophisticated, nuanced understanding, creating depth and richness of character. The richness of a person's character can be depicted as a cloak with an individual patina each person wears according to their stories. The more aware man is of their patina, the more beautiful man can choose to make it.
This edition begins with scene five of the play Guides, Love, in Munich, Germany. The story of Inti, the sun, and Pajsi, the moon, follows in The Legend of The Creation of The World, which is of ancient Incan origin, and such as a lake illuminated by moonlight, the narrative streams to a poem called La Luna. It closes by introducing creative content, translated into German and made available to the German community at Piaget Lighthouse Media.
28, The Keys to Time
Edition 28, The Keys to Time, brings forth part one of Immigration into Bolivia: From Bayonne to Riveralta, telling the story of a German lady and Polish gentleman who moved to France during the continuous land-seizing period in central Europe before the First World War. They had a child in Bayonne, Côte Basque, who later traveled to the luscious land of the Bolivian Amazon during the first rubber boom in the 1800s.
Then, we share a legend called The Legend of Tumparenta, originating from the Chiriguano tribe, an indigenous minority from Santa Cruz de La Sierra, Bolivia, written by folkloric writer Antonio Paredes Candia from the city of La Paz. To conclude, a poem called The Keys to Time is about becoming acquainted with the intrinsic value of memories that enrich one's inner world.
27, The Process
Edition 27, The Process, is the last edition of 2023 and begins with poems from the story currently in progress, The Fabulous Life of Lisa Miracle called The Process, followed by Fervent Curiosity.
It closes with the introduction of Antonio Paredes Candia via a legend he wrote circa 1975 called The Stains on The Moon, a story originating from the Guarayo people, a small native minority from Santa Cruz de la Sierra, Bolivia.
This edition aims to illuminate the nuance of human emotion and the importance of building a wise and intimate relationship with one's emotional climate to navigate better and understand external social complexities with more finesse.